0.¼±°Å ¹× ´ëÃâ·Â ¾ÚÇÁ¼¼Æ®
1.¼ÒºñÄÚ P.A¹æ¼Û SYSTEM
2.¼ÒºñÄÚ S.R¹æ¼Û SYSTEM
3.¼ÒºñÄÚ C.C.T.V
4.¼ÒºñÄÚ e - Learning
5.Â÷·®È«º¸,¼±¹Ú¾ÚÇÁ,½ºÇÇÄ¿
6.À̺¥Æ®,Çà»ç¿ë¾ÚÇÁ,½ºÇÇÄ¿
7.½Ãº¸±â&ÁÖ°£Â÷ÀÓº§Å¸À̸Ó
8.°­ÀÇ¿ë,ÃæÀü½Ä¾ÚÇÁ
9.°­ÀÇ,ȸÀǼ³Ä¡¼¼Æ®
10.¼Ò¹æÁ÷»ó,¿¬µ¿¾ÚÇÁ
11.¸ÅÀåÈ«º¸ ¼³Ä¡¼¼Æ®
12.¸ÅÇ¥¼Ò,¸àÆ®¿ë¼¼Æ®
13.À¯¼±, ¹«¼± ¸¶ÀÌÅ©
14. PA ¾ÚÇÁ & SR ¾ÚÇÁ
14-1.½º ÇÇ Ä¿ ½Ã ½º ÅÛ
15.»ï¹Ì½ºÇÇÄ¿ ½Ã½ºÅÛ
16.¹æ¼Û½ºÇÇÄ¿,±âÀÚÀç
17.¿Àµð¿À&SR ½ºÇÇÄ¿
18.LEEM ¾ÚÇÁ,½ºÇÇÄ¿
19.ÀÎÅÍ¿¥PA¹æ¼ÛSYSTEM
20.»ïÁøP.A¹æ¼Û SYSTEM
21.èÇÁP.A¹æ¼Û SYSTEM
22.·Ôµ¥P.A¹æ¼Û SYSTEM
23.°¡¶ôP.A¹æ¼Û SYSTEM
24.¿¡Æç (AEPEL)
25.ÆÄ¿öµå ¹Í¼­¾ÚÇÁ
26.ÆÄ¿ö¾ÚÇÁ(½ºÅ×·¹¿À)
27.ÆÄ¿ö¾ÚÇÁ(PA¿ë¸ð³ë)
28.¿Àµð¿À¹Í¼­,ÀÌÆåÅÍ
29.¸Þ°¡Æù, È¥½ºÇÇÄ¿
30.³ë·¡¹æ °ü·Ã »óÇ°
31.CDP&DVDÇ÷¹À̾î
32.´õºíµ¥Å©*ÅÏÅ×À̺í
33.Å×ÀÌÇÁ °í¼Ó º¹»ç±â
34.½ºÅÙµå & ºê¶óÄÏ
35.·¢(Rack)ÄÉÀ̽º
36.¿µ»ó°ü·Ã ±âÀÚÀç
37.Ä«¿Àµð¿À¿ë ½ºÇÇÄ¿
38.ÃæÀü°ÇÀüÁö&ÃæÀü±â
39.²Ù·¯¹Ì & ¼¼ÀÏ »óÇ°
40.µðÁöÅРŸÀÓ½ºÀ§Ä¡
41.Áø¿­ ¹× Áß°í ¼¼ÀÏ»óÇ°
42.ÀÚµ¿ ¾È³» ¹æ¼Û ½Ã½ºÅÛ (È­Àå½ÇÀ½Çâ±â±â)
44.·¹ÄÚµùÀåºñ,ÀÎÅÍÆäÀ̽º
45,Á¨ÇÁ·Î(GENPRO)
46,Áö¾Ø¿¡½º(GNS)
100.°­ÀÇ,ÃæÀü¾ÚÇÁ
101,Çà»ç,À̺¥Æ®¾ÚÇÁ
102.ÇÁ·Î»ç¿îµå(ºòº¸½º)
103.¿£Åͱ׷¹ÀÎ(KANALS)
104.ȸÀÇ½Ç ½Ã½ºÅÛ
105.¹«¼±¸¶ÀÌÅ©(ºê·£µåº°)
106.À¯¼±¸¶ÀÌÅ©(ºê·£µåº°)
200.ÀÚÀÛ¿ë ½ºÇÇÄ¿

:::ÇöÀçÀ§Ä¡ HOME ¢º 28.¿Àµð¿À¹Í¼­,ÀÌÆåÅÍ ¢º ÀÌÄ÷¶óÀÌÁ®&ÀÌÆåÅÍ ¢º FBQ-3102, Çǵð¹é ÀÌÄ÷¶óÀÌÁ®
    
 
 
FBQ-3102, Çǵð¹é ÀÌÄ÷¶óÀÌÁ®
ÆǸŰ¡°Ý :  ¿ø
ÁÖ¹®¼ö·® :
°³
Á¦Á¶»ç : BEHRINGER
ºê·£µå : 03
ÇÕ°è±Ý¾× :  ¿ø
  ¢¹ °£´ÜÇÑ ¼³¸í
  À½Ç⠽ðø¿¡¼­ °¡Àå ¾Ö·Î»çÇ×ÀÌ ÇÏ¿ö¸µ ¹ß»ýÀÔ´Ï´Ù. ÇÏ¿ö¸µ ¹æÁö¸¦ À§ÇÏ¿© º¸ÆíÀûÀ¸·Î ´ë¿ª °¨¼â ÇÊÅÍ(EQ¹æ½Ä)·Î ÇÏ¿ö¸µ ÁÖÆļö¸¦ ÀÎÀ§ÀûÀ¸·Î °¨¼â½ÃÅ°´Â ¹æ½ÄÀ» »ç¿ëÇÕ´Ï´Ù. ÇÏÁö¸¸ ÇÏ¿ö¸µ ÁÖÆļö »Ó¸¸ ¾Æ´Ï¶ó ÇÊ¿äÇÑ À½Çâ±îÁö °¨¼âµÇ¾î À½ÁúÀÇ Ãæ½Çµµ¸¦ ÀúÇϽÃÅ°´Â ´ÜÁ¡ÀÌ ÀÖ½À´Ï´Ù. FBQ-3102´Â ÀÌ·¯ÇÑ ´ÜÁ¡À» °³¼±ÇÑ Á¦Ç°ÀÔ´Ï´Ù. 31¹êµåÀÇ °í±ÞÇü ÀÌÄ÷¶óÀÌÁ® ±â´É°ú ÇÏ¿ö¸µ ¹æÁö Çǵð¹é(FEED-BACK)±â´ÉÀÌ Ãß°¡µÇ¾î ÇÏ¿ö¸µ ÁÖÆļö¸¸À» °¨¼â½ÃÄÑÁà ÄèÀûÇÑ À½Çâ È¿°ú¸¦ ûÃë °¡´ÉÇÑ Á¦Ç°ÀÔ´Ï´Ù.  
                         
 

Behringer GEQ3102 UltraGraph Pro


Graphic Equalizer ½ºÅ×·¹¿À (Dual 31-Band)

 

º£¸µ°Å ½ÅÁ¦Ç°ÀÔ´Ï´Ù. Çǵå¹é(FEED-BACK) ±â´ÉÀÌ ³»Àå.

 
 
 
 

 

* Á¦Ç°ÀÇ Æ¯Â¡

À½Ç⠽ðø¿¡¼­ °¡Àå ¾Ö·Î»çÇ×ÀÌ ÇÏ¿ö¸µ ¹ß»ýÀÔ´Ï´Ù. ÇÏ¿ö¸µ ¹æÁö¸¦ À§ÇÏ¿© º¸ÆíÀûÀ¸·Î ´ë¿ª °¨¼â ÇÊÅÍ(EQ¹æ½Ä)·Î ÇÏ¿ö¸µ ÁÖÆļö¸¦ ÀÎÀ§ÀûÀ¸·Î °¨¼â½ÃÅ°´Â ¹æ½ÄÀ» »ç¿ëÇÕ´Ï´Ù. ÇÏÁö¸¸ ÇÏ¿ö¸µ ÁÖÆļö »Ó¸¸ ¾Æ´Ï¶ó ÇÊ¿äÇÑ À½Çâ±îÁö °¨¼âµÇ¾î À½ÁúÀÇ Ãæ½Çµµ¸¦ ÀúÇϽÃÅ°´Â ´ÜÁ¡ÀÌ ÀÖ½À´Ï´Ù. FBQ-3102´Â ÀÌ·¯ÇÑ ´ÜÁ¡À» °³¼±ÇÑ Á¦Ç°ÀÔ´Ï´Ù. 31¹êµåÀÇ °í±ÞÇü ÀÌÄ÷¶óÀÌÁ® ±â´É°ú ÇÏ¿ö¸µ ¹æÁö Çǵð¹é(FEED-BACK)±â´ÉÀÌ Ãß°¡µÇ¾î ÇÏ¿ö¸µ ÁÖÆļö¸¸À» °¨¼â½ÃÄÑÁà ÄèÀûÇÑ À½Çâ È¿°ú¸¦ ûÃë °¡´ÉÇÑ Á¦Ç°ÀÔ´Ï´Ù.


BEHRINGERs new ULTRA-GRAPH PRO is a high-end 2-channel graphic equalizer with
flexible signal processing capabilities. This professional sound-shaping tool can be
used at live venues for PA optimization or in the studio to process individual signals or
your stereo mix. The GEQ3102 is also perfect for feedback removal or placing vocals
and instruments in the mix. Last but not least, the ULTRA-GRAPH PRO is a useful tool for
mastering and provides XLR and 1/4 TRS I/O.


Behringer GEQ3102 Features

- Delivers outstanding equalization both in live applications and in the studio
- For gentle contouring and audio sweetening in audio post-production and recording studios
- Perfectly suited for room equalization and extreme corrective surgery e.g. notching out unwanted   
  frequencies (feedback etc.)
- 2 x 31 ISO frequencies controllable via slide controls with boost/cut range switchable from
  12 dB to 6 dB
- Additional sweepable High and Low Cut filters remove unwanted frequencies e.g.
  floor rumble and tape hiss etc.
- Servo-balanced inputs and outputs on gold-plated XLR and 1/4 jack connectors
- Relay-controlled hard-bypass with an auto-bypass function during power failure (failsafe relay)
- Ultra-low noise audio operational amplifiers offer outstanding sound performance
- High-precision illuminated Alps faders
- Accurate 12-segment LED input/output metering for easy level setting
- High-quality detented potentiometers and illuminated switches
- High-grade toroidal transformer for a minimum of interference
- High-quality components and exceptionally rugged construction ensures long life
- Manufactured under ISO9000 certified management system

An ace up your sleeve: direct access to all controls

The BEHRINGER ULTRA-GRAPH PRO enables you to directly access all functions,
allowing lightning-fast adjustments and precise setting in any situation. All controls are
illuminated and two 12-segment LED displays can be set to monitor input or output level,
helping you to prevent overloading. The sweepable high-pass and low-pass filters allow
pre-graphic trimming of the frequency range. After that, you can get to the heart of the
matter with 31 EQ faders per channel for extensive processing between 20 Hz and 20 kHz.
A RANGE button is included, which switches the maximum boost/attenuation of all bands
between ¡¾12 dB and ¡¾6 dB. For quick comparison between original and processed signal,
the entire EQ section can be switch on and off via the relay-controlled AUDIO IN/OUT button.
Live on stage: the ULTRA-GRAPH¢ç PROs natural environment

Club, stadium and concert hall acoustics can vary immensely depending upon their
construction. Even with the best PA system, an engineer often has to fight hard against
poor clarity, dull sound and ill-defined signal positioning. The ULTRA-GRAPH PRO offers invaluable assistance in adapting the program material to the current room acoustics.
With the GEQ3102, you can achieve dramatically improvements in signal presence and
overall audio quality, optimize your systems efficiency and give the audience the kind of
sound they expect. Feedback loops in the monitor system are a breeze to conquer.
Just zap the feedback frequency with maximum attenuation and that feedback is history.
Extremely low frequencies are often cut to avoid low-end feedback, which leads to muddy
sound. Used in the monitor system, the ULTRA-GRAPH PRO cleans up your monitor sound, making it more transparent and giving you considerably more headroom. Go ahead and
crank up that aux send master. By the way: if you should ever be surprised by a power-down,
the GEQ3102 is automatically switched to bypass mode. The same relays that take care of
this also provide a switch-on delay to protect your system against dangerous switching
noises.
ULTRA-GRAPH¢ç PRO: youre in control of your musics entire sound spectrum

You want a differentiated audio image for your production? With the ULTRA-GRAPH PRO,
youve got extensive signal processing capabilities. Boosting or attenuating certain
frequencies can accent voices and instruments in the mix. Next to this classic application, equalizers are often used today for creative sound design: with extreme settings you can
conjure up wild effects that get your audiences attention. A further application is mastering. Sometimes a mix sounds a bit out of whack. Using the GEQ3102 in the sum enables you to manipulate a finished mix by correcting frequency imbalances until the mix sounds
homogenous. No matter which application, the ULTRA-GRAPH PRO helps you reach
your goal: that same professional sound you hear out of top recording studios.

 

 
 
 
 
1. ·Ôµ¥ÅÃ¹è ¶Ç´Â °í°´ ¿äûÅùè·Î Àü±¹ ¾î´À °÷À̵ç 3~4ÀÏ À̳» ¹è¼ÛÀÌ °¡´ÉÇÕ´Ï´Ù. (°øÈÞÀÏ Á¦¿Ü)

2. ¿Â¶óÀÎ ¼Û±ÝÀ» ÇϽŠ°æ¿ì¿¡´Â ÀÔ±ÝÈ®ÀÎÈÄ ÀÍÀϺÎÅÍ ¹è¼Û ±â°£¿¡ Æ÷ÇÔÇÕ´Ï´Ù.

3. õÀçÁöº¯ µî ºÒ°¡Ç×·ÂÀûÀÎ »çÀ¯ ¹ß»ý ½Ã ±× ÇØ´ç±â°£ µ¿¾ÈÀº ¹è¼Û±â°£¿¡¼­ Á¦¿ÜÇÕ´Ï´Ù.

4. ÁÖ¹®ÇϽŠ»óÇ°ÀÌ ÈÑ¼ÕµÇ¾î ¹è´ÞµÈ °æ¿ì, »óÇ°À» ¼ö·ÉÇÑ ³¯·ÎºÎÅÍ 20Àϳ»¿¡ ±¸¸Å¸¦ Ãë¼ÒÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

5. °í°´²²¼­ ¿Â¶óÀÎ ¼Û±ÝÀ¸·Î °áÁ¦ÇϼÌÀ» °æ¿ì °í°´ÀÇ ÀºÇà°èÁ·Π¼Û±ÝÇÏ´Â ¹æ¹ýÀ¸·Î ȯºÒÇÏ¿© µå¸³´Ï´Ù.

6. ÁÖ¹®ÇϽŠ»óÇ°ÀÌ ¹°·ù Ư¼º»ó ´Ù¸¥ ½Ã°£´ë¿¡ ¹è¼ÛÀÌ µÉ¼öµµ ÀÖ½À´Ï´Ù.
 
 
 
 
1.Á¦Ç°¼³¸í¼­(º¸Áõ¼­)¿¡ ¸í±âµÈ Á¦Á¶ ȸ»ç °í°´¼¾ÅÍ(A/S¼¾ÅÍ)³ª Á¦Ç° ±¸ÀÔó¿¡ ¹®ÀÇ ¹Ù¶ø´Ï´Ù.
 
 
1.Á¦Ç°¿¡ ÇÏÀÚ°¡ ÀÖÀ» °æ¿ì : Á¦Ç° ¼ö·É ÈÄ 7ÀÏ À̳»¿¡ ±³È¯,¹ÝÇ°ÀÌ °¡´ÉÇÕ´Ï´Ù.

2.Á¦Ç°¿¡ ÇÏÀÚ°¡ ¾øÀ» °æ¿ì : Á¦Ç° ÈÑ¼Õ ¹× »ç¿ëÀ» ¾ÈÇÒ°æ¿ì 7ÀÏ À̳»¿¡ ±³È¯, ¹ÝÇ°ÀÌ °¡´ÉÇÕ´Ï´Ù.
´Ü, ¿Õº¹ ¹è¼Ûºñ´Â ±¸¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù.

3. ȯºÒÀº Á¦Ç°¹ÝÇ°ÀÌ È®ÀÎ µÈ ÈÄ¿¡ ó¸® µË´Ï´Ù.
(1)
¹«ÅëÀå ÀÔ±Ý °èÁ¹øÈ£
¼ÒºñÄÚÇÁ·ÎÆä¼Å³Î
GNS
GENPRO
ÆÒ´õ
¾ÆÁ
Ƽ¾Ç
BOSE
°¡¶ôÀüÀÚ
»ï¹Ì½ºÇÇÄ¿
ÀÎÅÍ¿¥
½Å¿ëÄ«µå°áÁ¦
Çì·²µå°æÁ¦ ¿ì¼ö±â¾÷¼±Á¤
»ïÁÖÀüÀÚ
»ïÁø¹Ìµð¾î
°­ÀÇ¿ë ÃæÀü½Ä¾ÚÇÁ, ¹«¼±¸¶ÀÌÅ© ³»ÀåÇü
Çà»ç¿ë À½Çâ ¼¼Æ®
¸¶ÀÌÅ©Çü ³ë·¡¹æ±â±â