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:::ÇöÀçÀ§Ä¡ HOME ¢º 20.ÆÄ¿öµå ¹Í¼­¾ÚÇÁ ¢º 4.Behringer(º£¸µ°Å) ¢º PMP-2000,º£¸µ°Å ¾ÚÇÁ 500W
    
 
 
PMP-2000,º£¸µ°Å ¾ÚÇÁ 500W
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  Behringer PMH2000 ÆÄ¿öµå ¹Í¼­¾ÚÇÁ, 500W, 2 x 250-Watt 10-Channel Power Mixer with 24-Bit Multi-FX Processor  
                         
 
 
 
 

Behringer PMH2000 ÆÄ¿öµå ¹Í¼­¾ÚÇÁ, 500W

 
EUROPOWER PMH2000
2 x 250-Watt 10-Channel Power Mixer with 24-Bit Multi-FX Processor

We proudly introduce a BEHRINGER first: a compact 500-Watt power mixer with everything you need to get your sound to your audience—just plug in your instruments and microphones, add a pair of speakers and you¡¯re ready to go. The PMH2000 gives you six mono channels with ULN mic/line preamps with -25 dB pads and peak LEDs, switchable phantom power, our renowned super-musical 3-band EQ, an effects and monitor send. In addition, you get four stereo channels: three with the same ULN mic/line preamp, EQ and sends but with left and right 1 /4 connectors, and one especially configured for tape, CD or MD players with stereo RCA inputs and recording outputs.

But that¡¯s just the beginning. The PMH2000 comes with a built-in 2 x 250-Watt power amplifier and a flexible master section, including two 9-band graphic equalizers that can be assigned to left and right main mix or to main mix and monitor out, augmented by a switchable low-cut filter for channels 1-6. Both graphic EQs feature an in/out switch for quick comparisons or bypassing. Power amp inputs are available for connecting external mixers or sound sources, and there are three preamp outputs for added flexibility. A footswitch connector allows you to remotely bypass the effects section with a standard footswitch. The main and monitor sections each feature individual level controls, a 5-segment LED level meter and a master effects send level control. In addition, the integrated limiter offers effective protection against speaker overloads.

Last but not least, the PMH2000 sports a built-in 24-bit effects unit based on our award-winning VIRTUALIZER PRO and MODULIZER PRO effects processors, giving you 99 great-sounding presets ranging from standard reverb and delay to more unusual algorithms like Vinylizer, Magic Pitch, Vocal Distortion and Space Radio, plus a number of useful combinations. Needless to say, all of this is enclosed in a compact, rugged enclosure with tough vinyl covering with high-impact protective corners and a practical handle. And all with BEHRINGER technology inside, ensuring years and years of trouble-free use, no matter what you put it through.
Invisible Mic Preamp (IMP)
 
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the
 
performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry.



The BEHRINGER IMP provides ultra-linear frequency response up to 100 kHz.
 
 

The result of perfect design. Almost unmeasurable distortion for your signal integrity.
 
24 bit/ 46 kHz
src=http://www.behringer.com/pmh2000/icon_2496.gif Digital recordings are often done at a depth of 16 bits, which breaks up the dynamic range between the loudest and quietest portions of a signal into 65,536 steps. We use the finer resolution of 24 bits, which divides the signals loudest-to-softest dynamic range into 16,777,216 steps, allowing for far more accurate rendering of the quieter parts of the audio.

Audio signals change constantly, so a digital device must capture these changes as faithfully as possible. The higher the sampling rate, the better. Our consoles use a sampling rate of 46,000 times per second. To capture any given frequency, a digital signals sampling rate must be roughly twice that frequency. The sampling rate of 46 kHz is more than adequate for capturing all signals in the audible range-the human ear can not hear the sounds whose frequency is higher than 20 kHz.
 

 
 
 
 
 
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