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  2008³âÇü CDÇ÷¹ÀÌ¾î ³»ÀåÇü ½Å¸ðµ¨FENDER AUDIO 250W ,½ºÇÇÄ¿,¾ÚÇÁ,¹Í¼­, ÀÏüÇü À̵¿½Ä Çà»ç¿ë ¾ÚÇÁ ½Ã½ºÅÛ, °¢Á¾ ¿ÀÇÁ´× Çà»ç³ª, ±³À°¿ë, °­ÀÇ¿ëµî ±ò²ûÇÑ À½ÁúÀ» ÀÚ¶ûÇÏ´Â ¾ÚÇÁ ½Ã½ºÅÛÀÔ´Ï´Ù.BOSE ½ºÇÇÄ¿ ¼³°è ½Ã½ºÅÛÀ¸·Î ¸¸µé¾îÁ® ±ú²ýÇÑ À½ÁúÀ» ÀÚ¶ûÇÏ´Ï´Ù.  
 
 
 
 
 
 

 

 PD-250 Plus

CDÇ÷¹À̾Àå,Á¢ÀÌ½Ä ÈÞ´ë¿ë Æ÷ÅÍºí ¾ÚÇÁ 250W

Fender Audio

ÈÞ´ë°¡ °£ÆíÇÑ CDP, ¾ÚÇÁ,¹Í¼­,½ºÇÇÄ¿ ÀÏüÇü ÈÞ´ë¿ë ÆÄ¿ö ¾ÚÇÁ ½Ã½ºÅÛ 250W 

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PD-250Plus´Â °¡º±°í °ß°íÇؼ­ ÈÞ´ë ¹× ¼³Ä¡/ÇØü°¡ °£Æí, CDP,½ºÇÇÄ¿, ¾ÚÇÁ, ¹Í¼­°¡ Çϳª·Î ÅëÇÕµÈ
ÈÞ´ë¿ë PA ½Ã½ºÅÛ ÀÔ´Ï´Ù.
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ÀԷµǴ ¸¶ÀÌÅ© ½ÅÈ£¿¡ ¸Â°Ô ´Ù¸¥ ÀÔ·Â ½ÅÈ£ÀÇ À½·®ÀÌ ÀÚµ¿À¸·Î ÁÙ¾îµå´Â Vocal Input Priority
ȸ·Î³ª, °£ÆíÇÑ Åæ ÄÁÆ®·ÑÀ» À§ÇÑ One Touch EQ, µðÁöÅÐ ¸®¹öºê µîÀÇ ´Ù¾çÇÑ ±â´Éµéµµ Á¦°øµË´Ï´Ù.±³È¸, Çб³,À¯Ä¡¿ø,°ü°ø¼­,Á¦Ç° ¼³¸íȸ,½Ç³»¿Ü À̺¥Æ®Çà»ç,ÇÁ¸®Á¨Å×À̼Ç,Àü½Ãȸ,»ç³»±³À°,ÇöÀå½Ç½Àµî À̵¿¼ºÀÌ ÁÁ¾Æ´Ù¿ëµµ·Î »ç¿ëÀÌ °¡´ÉÇÕ´Ï´Ù.
(½ºÇÇÄ¿ ½ºÅÙµå º°¸Å)

 

 

-

ÀÔ·Â : 6°³ (4mic/line + 1stereo + 1aux)

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Àü¿ø : 220V AC

-

Àüü Ãâ·Â : 250W (125W + 125W)

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CD Ç÷¹ÀÌ¾î ³»Àå

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¾×¼¼¼­¸® : ¸¶ÀÌÅ©x2, ¸¶ÀÌÅ©ÄÉÀ̺íx2,
- ½ºÇÇÄ¿ ÄÉÀ̺í(10m)x2, ¸¶ÀÌÅ© Ȧ´õx2

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Å©±â : 840 mm X 61 5 mm X 300 mm

-

¹«°Ô : 24kg

-

½ºÇÇÄ¿ ½ºÅÄµå º°¸Å
Model Name Passport Deluxe PD-250 Plus
Model Number 069-3001-000 120V USA,
069-3001-940 230V UK,
069-3001-900 120V DS,
069-3001-960 230V EUR,KOR
069-3001-930 240V AUS,
069-3001-970 100V JPN
Description Complete Self Contained Portable Sound System
Series Passport Systems
Dimensions Height: 24.2 (615mm)
Width: 33.7 (840)
Depth: 11.8 (300mm)
Weight 53 Lbs. (24 kg)
Covering Black Luggage Style Molded Case
Power Output 250 Watts Stereo Class-D, (2 X 125 Watts), 8 Ohms Per Speaker Cabinet
Input Power N/A
Features
-FEATURES:
-Built-In CD-Player
-Docking Connector for Passport Wireless Receiver
-Six Channel Mixer (4 Mic/Line, 1 Stereo, 1 CD-Player)
-Microphone Channels 1-4 Controls; Level, Low, High, Rev/Aux,   Pan
-Stereo Channel 5 Controls; Level, Low, High, Rev/Aux, Balance
-CD-Player Controls; Level, Low, High, Rev/Aux, Balance, Eject, -Play/Pause,    
  Stop, Mode, Previous Track/Rewind, Next -Track/Fast Forward
-Master Reverb Control
-System EQ Control
-Stereo RCA Out (Record Out)
-Digital Reverb
-Unique One-Touch Controls
-Innovative Deluxe Speaker Array Design for Superior Sound in -any Application
-Extraordinary Feedback Rejection Allows the Speakers to be -Placed Behind the
  User, Eliminating the Need for Separate -Monitor Speakers.
-35 mm (1 3/8) Speaker Stand Adaptors are built into speaker -cabinets
-Two P-51 Mic Kits, each featuring: Professional Cardioid Low
-Impedance Dynamic Microphone, 18 Microphone Cable, Mic -Clip, Carry Pouch
-Two 9 meter (27 feet) Speaker Cables
-Detachable IEC power Cable
-Switchable voltage power supply AC110V, AC220V
-Mic / Cable Storage Compartment with Latching Lid
-Compatible with Passport UHF Wireless Accessories
Specifications -SPECIFICATIONS:
-250 Watts Stereo Class-D, 125 Watts Continuous Power Per -Channel.
-Two Speaker Cabinets with two 6-1/2 Full Range Drivers and 2 -Full Range Tweeters.

-MIXER SPECIFICATIONS:
-Six Inputs (4 Mic/Line, 2 Stereo) Plus Auxiliary Send and Return
-Mic/Line Inputs are Balanced XLR, Plus Either Balanced or -Unbalanced 1/4 TRS. Stereo AUX Return is 1/4 TRS
-Digital Reverb Provided with EFX / AUX Send on Each Channel. -EFX Return to Main Control Provided with Remote Bypass -Footswitch
-Single Switch Configures for Stereo (Right / Left) or (Main / -Monitor) Use. Master Level Controls Provided for Each Power -Amplifier.
-Pan Controls Provided for Mic / Line Channels; Balance -Controls Provided for Stereo Input Channels.
-Overall System EQ (For Room Conditions) and Individual -Channel EQ Provided.
-Stereo Out Jacks and Reverb Footswitch Jack Provided.

 
 
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When Fender first introduced its Passport P.A. Systems several years back, the company knew it had a winner, but a lot of musicians took a wait-and-see attitude. Sure, it was from Fender. Sure, it was compact, portable, simple to set up and use, but the real question was, How does it sound? A system that would do nicely for a business seminar wasnt necessarily one that would cut the mustard on a gig. Small PAs usually sound small, so would the Passport be any different?
clickNow that the dust has settled, the Passports have amply proven themselves to be for real, with a surprisingly clear, full sound a notch above most small systems. This, along with their practicality, simplicity, and accessible price, has made them popular with all kinds of performers, especially vocal-oriented and acoustic groups that dont put a lot of instrument sound pressure on their PAs.
 
The new Passports
Fender is always finding ways to improve its products, even the ones that dont in any obvious way need improving. While the original Passports were adequate for smaller groups and venues, Fender found a way to make them better. Instead of adding a few refinements-new bells and whistles-Fender improved the Passports in a fundamental way. The result is the new Passport Deluxe Series.
What Fender did was focus on the most critical part of any PA system. The decision was made to fully redesign the Passports speakers. For assistance, Fender tapped the expertise of another company that specializes in hi-fidelity systems. For legal/business-type reasons, Im not allowed to mention the name, but its one you know well. Lets just say its a name synonymous with innovative high-end systems.
clickWhat did they do? Basically the works: redesigned the cabinets, porting, baffling, and such; then loaded the cabs with killer, special-design, high-efficiency speakers. For the PD-250, each cabinet contains two sets of speakers. The small speakers are actually full-range drivers that reproduce from 150Hz to 20kHz. The woofers reproduce from 40Hz to about 350Hz. This combination provides an incredibly smooth crossover range (low and widespread) without requiring a tweeter that normally would cause feedback issues.
click
 
Tête á tête test
When I first began to write this review, I asked Chris, the audio gear specialist at Musicians Friend, how different the Deluxe was from the original Passport with which I was already familiar. His answer? Just listen. Youll see. He set me up for a side-by-side comparison of the original P-250 and the new
PD-250. We got both systems up (in about three minutes total), dialed all knobs to the same position, plugged mics into each of the PAs, and stepped back. I was ready for a careful examination of what I expected would be subtle differences.
Wrong. The difference between the old and the new system was immediately obvious. The original Passport is an excellent system judged by normal standards. The new system, however, lights up the room. By comparison, its as if you just removed blankets that were covering the originals speakers. The new system is louder, more full, more detailed, and has way clearer highs.
 
Serious high fidelity
clickIndeed, Fender has taken a system that works very well by normal standards and upgraded it to a whole new level. This new system gets the kind of sound that allows voices to be heard over the instruments, that fills the air at the back of the room without blasting those close to the stage with hair-parting mids. And the Passport Deluxe gets this kind of sound seemingly effortlessly. The design creates a very wide and balanced dispersion of sound with very clear highs and a bottom-end that is surprisingly full for such small speakers.
Another benefit of the speaker design is minimized feedback. When you do start to get it, quick adjustment of the single EQ knob on each channel and the main block gets rid of it pronto. You really dont need to tweak much, but when you do, the sound responds well to the knobs.
The sound is good enough that it really lets you use the Passports stereo capability. With most small PAs, I dont bother with the pan knobs because they never make much difference out front and often cause problems. The new Passport works well enough that you really can get a stereo image-make different sources come from left or right. This is pretty cool for an affordably priced, portable system.
 
Still idiot-proof
Otherwise, Fender didnt mess with what is probably the easiest-to-use PA in the universe. It snaps together into a compact, single unit including a storage compartment for cords and mics. The whole thing will fit easily into the back seat of a compact.
clickAt the gig, you just unsnap the speakers; set them in place; plug in the cords, your mics, and instruments; then power up. Tweak a couple of knobs and youre ready to rock. Its the closest thing to a turn-on-and-go PA as there is.
Other features heighten its versatility and ease of operation: digital reverb, a ducking (vocal priority) feature that lowers all levels except the vocal (for talkover), selectable main/monitor operation. Tape-outs on the  PD-250 let you record the show.
clickThe Passports are complete systems. They even come with microphones and cords (two sets with the  PD-250 and one set with the PD-150). And Fender offers a host of optional gear, such as speaker stands, battery packs for those outdoor gigs, and lots of other nifty extras. A Passports compactness, portability, and ease of use will make your life easier and will give you the kind of sound that brings out the best in your performance and your music.
 
Passport Features:
Stereo operation with digital reverb
250W power (PD-250) or 150W power (PD-150)
DSA speaker design
Unique one-touch EQ
Vocal Input Priority
Works on battery or AC power
Speakers and tower snap together in a single unit for convenient storage and portability
Includes mics and cords (one set for the 150, 2 sets for the 250)
Mono and stereo input
Speakers can be tripod mounted, installed, or stood on floor
Selectable main/monitor operation (PD-250)
Tape out jacks for recording (PD-250)
3 mic/line inputs and mono/stereo input (PD-150)
4 mic/line inputs, 2 mono/stereo inputs, and 2 additional stereo channels (PD-250)
 
 
 
 
 
 
 
 
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